Ali Güreli is an entrepreneur, cultural leader and founder and chairman of Contemporary Istanbul, one of the region’s leading contemporary art fairs. For over two decades, he has championed Istanbul as a global hub for artistic exchange, bringing together artists, institutions, collectors and international audiences. Working at the intersection of art, culture and urban development, Güreli brings valuable insight into the role of creativity in fostering dialogue, shaping cultural identity and building connections across borders.
Anders Petterson is the founder and CEO of ArtTactic Ltd, a London-based art market research and analysis company established in 2001. A pioneer in using crowd-sourcing techniques to gather art market intelligence, ArtTactic publishes global reports in collaboration with partners including Deloitte, Hiscox, Mishcon de Reya, Sophie Macpherson SML, and Sotheby’s. Anders regularly lectures on art market topics at Sotheby’s Institute, Christie’s Education, and ESA Beirut, and served as a founding board member of PAIAM from 2011 to 2021.
Chimere Cissé is an art collector and founder with over a decade of experience in the cultural sector. She launched ArtKōrero in 2021 to connect commercial engagement with the arts and recently founded STELLA Alliance to increase the visibility of women art collectors. Previously, she represented the United Nations International Trade Centre and held senior roles at Burberry, Hearst UK, Harper’s Bazaar, and ELLE. Dedicated to philanthropy, she actively supports global charities including the British Council and Gabrielle’s Angel Foundation, where she is a long-standing committee chair.
Divya Sharma is a London-based British Indian textile artist and an alumna of the Royal College of Art, London. Her practice brings together myth, memory, and the cultural world of her mother tongue, Tamil. She was recently awarded the Visual Artists Association International Scholarship Award for 2025. She has conceived and curated five shows as founder of The Neulinge Collective and the Post-Colonials Collective. She is also the founder and host of the ARTiculate podcast and broadcasts on Apple Podcasts.
Dr. Shwetal Patel is a writer and researcher working at the intersection of contemporary visual art, exhibition-making, and development studies. A founding member of the Kochi-Muziris Biennale, he played a key role in launching the initiative and building its international partnerships. He holds a practice-based PhD from the Winchester School of Art, University of Southampton, and lectures internationally at institutions such as the Zürich University of the Arts, the Royal College of Art, and the University of Exeter. He also serves as trustee for the Milton Keynes Museum, Coventry Biennial, and the Kakar Centre of Psychoanalysis & Culture.
Jeffrey Boloten is Director of Art Business and Enterprise Programmes at Sotheby’s Institute of Art, London. He co-founded and serves as Managing Director of ArtInsight Ltd., the educational partner of art market research firm ArtTactic. With a background in law, publishing (including Penguin Books), and institutional roles at the Tate and a London art college, Jeffrey is a frequent speaker on the global art, photography, and art investment markets. He also co-directs Sotheby’s Enterprise Studio and is a founding member of PAIAM (Professional Advisors to the International Art Market).
Leo Crane is a producer, artist and educator with over 25 years of experience across physical and digital creative industries. He has founded three creative studios and in 2024, established the AI Film Academy, focusing on innovation in contemporary moving image practice. He leads courses in art and art business at Sotheby’s Institute of Art and serves on the board of Animate Projects. His artistic practice spans animated film, figurative painting and experimental digital works, and his work has been widely exhibited, screened and awarded internationally. He is currently producing his debut feature film The Masterpiece of Tamagata, and is the author of Contemporary Figures in Watercolour (2021).
Mark Davy is the founder of Futurecity, a multidisciplinary agency dedicated to culture-driven placemaking. He has led private sector investment in major art projects including the Crossrail Culture Line, the Illuminated River Project, and the cultural strategy for Wembley Park. Mark is a Fellow of the Royal Society of Arts and contributes to several boards and panels, including the Royal Philharmonic Orchestra Advisory Panel, Hypha Studios, the Land Economic Society, the NLA Expert Panel for Culture, and the National Trust Regional Advisory Group.
Marta Orsola Sironi is a curator and critic based between Milan and London. She is co-founder and curator of MEGA Art Fair, which reimagines the art fair as an immersive, curated experience activating regenerated urban spaces with exhibitions, performances, talks, and music. Together with Mauro Mattei, she co-directs BeAdvisors Art Department, producing curated shows, cultural events, and collectors’ programmes across international art calendars. Her research focuses on decolonial feminism, identity, language, and memory, with a strong interest in urban space as a site of resistance.
Nicole Schoeni is an art dealer, collector, patron, and founder of Schoeni Projects. Previously, Nicole was the director of Schoeni Art Gallery, one of Asia's most influential art venues. Nicole has since curated the Hong Kong section of the China 8 exhibition and has consulted on arts projects such as for the Grand Lisboa Palace in Macau. She is an active patron of numerous foundations, is on the advisory team for Arts for Good Foundation, and sits on the Board of Directors of Asian Art in London.
Portuguese visual artist Paulo Arraiano explores the intersections of art, culture, nature, and technology through a multidisciplinary practice. He is co-founder of Re_Act Contemporary, an international art laboratory and residency programme based in the Azores that fosters dialogue between artists, researchers, and communities around pressing ecological, social, and cultural issues. Arraiano offers a distinctive perspective on the role of art in shaping how we understand and engage with a rapidly changing world. Portfolio
Rena Neville is Director of Corinth Consulting Ltd and Head of FCS Compliance Art Division. With over 30 years at Sotheby’s, she was the company’s first Global Compliance Director and previously served as European General Counsel and Global Head of Litigation. Today, she advises the art market on anti-money laundering compliance and is a frequent speaker on the subject, including recent talks at Harvard Law School and the Art Business Conference in Maastricht during TEFAF.
Roxane Zand is a Harvard and Oxford educated specialist in Middle Eastern art and culture. After three years at UNESCO and roles at the Iran Heritage Foundation and Asia House, she joined Sotheby’s in 2006 as Director for the Middle East and Gulf, rising to Deputy Chairman and Senior Director, before stepping down in 2020 to lead her own art advisory consultancy. She continues to serve as Arts Editor for the Encyclopaedia Islamica, advises through the Pictet Art Prize Advisory Council, and has authored several publications, including Geometry and Art: In the Modern Middle East.
Sigrid Kirk is a curator, adviser, and strategist who co-founded the Association of Women in the Arts (AWITA) in 2016. AWITA brings together women working across the arts sector through mentoring, collaboration, and a shared community. In addition, each year Kirk and her husband collaborate with Te Tuhi Gallery in Auckland to help fund an artist residency at Yorkshire Sculpture Park for Māori and Pacific Island artists. The couple are also patrons of Dundee Contemporary Arts,  Fruitmarket Gallery, Gasworks, Studio Voltaire, Iniva, and Goldsmiths CCA.
Sylwia Krason is the Founder and Editor-in-Chief of Contemporary Lynx Magazine, an international arts publication and organisation based in London. Since 2013, she has connected bold artistic voices with global audiences, with a focus on Central and Eastern Europe and emerging markets. She is also President of the Contemporary Lynx Foundation in Warsaw and regularly serves as a juror and panel moderator at major international art events, including Art Basel. Trained in art history and arts management in Kraków, Berlin, and London, she is currently based in Paris.
Ulrich Schrauth is a curator, artist, and creative director of UBS Digital Art Museum in Hamburg. Schrauth is also the founder of VRHAM! Biennale, shaping new ways of presenting and experiencing digital Art. Working between Hamburg and London, he also heads the Immersive Programme at the British Film Institute (BFI) and serves on the British Council’s Advisory Board for Arts and Creative Economy. In addition, he curates the digital section of Art Dubai, the premier international art fair for digital media. Ulrich is a jury member for prestigious awards such as the Lumen Prize and the Fedora Digital Art Prize, and is a regular speaker at major events including the Venice Biennale, SXSW, and the Cannes Film Festival. Portfolio

Artvoyagebiennial

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🗓️ Date: 12 Feb 2027

⏰ Panel Discussions:  09:00–17:00 | VIP Reception: 17:00–20:00

📍 Venue:  Merchant Taylors’ Hall, 30 Threadneedle Street, London EC2R 8JB

 

Legacy

Who holds the power
to shape culture?

Responsibility

Who defines cultural value
and whose interests 
does it serve?

Value

What will be the
cultural legacy of our time?

INTRODUCTION

At a defining moment for the cultural sector, questions of ownership, influence, and cultural responsibility have never been more relevant. Who Owns Culture Now brings together leading perspectives to examine who determines cultural value and what legacy we leave. 

Bringing together over thirty influential voices from across the international art world, the Summit connects artists, collectors, museum directors, philanthropists, and decision-makers. Through five carefully curated panel discussions, keynote conversations, and opportunities for meaningful exchange, the programme explores the shifting relationship between culture, capital, technology, and the public good. 

More than a conference, Who Owns Culture Now is a platform for dialogue, new connections, and long-term cultural collaboration. It creates space for those shaping the future of culture to challenge established perspectives, exchange ideas, and consider how cultural leadership can contribute to a more inclusive and interconnected future.

Agenda

09:00

WELCOME BREAKFAST

Arrival and introductions

09:30

OPENING KEYNOTE

09:45

01 WHO DECIDES WHAT BECOMES CULTURE?

How museums, collectors, markets and institutions shape cultural value, visibility and the stories that define our shared heritage

10:30

02 CULTURE, CAPITAL AND THE PUBLIC GOOD

Exploring how philanthropy, public institutions and private investment work together to shape the future of culture and expand public access

11:30

03 CUSTODIANS OF CULTURE

Philanthropy and the Future of Asian and Middle Eastern Art – examining the role of collectors, foundations and cultural leaders in supporting artistic practice, preserving heritage and strengthening global cultural exchange

11:30

03 CUSTODIANS OF CULTURE

Philanthropy and the Future of Asian and Middle Eastern Art – examining the role of collectors, foundations and cultural leaders in supporting artistic practice, preserving heritage and strengthening global cultural exchange

12:30

LUNCH BREAK

13:30

WORKSHOP & NETWORKING

14:30

04 WHO OWNS DIGITAL CULTURE?

Artists, platforms or data? – exploring how artificial intelligence, digital platforms and emerging technologies are transforming authorship, ownership and cultural value in the digital age

15:30

05 BEYOND THE CANON

Rethinking global collections and cultural narratives – examining how museums, collectors and cultural institutions are reshaping collections and narratives to reflect a more diverse and interconnected world

16:15

CLOSING KEYNOTE

17:00

VIP RECEPTION & NETWORKING

Drinks and canapés

20:00

CLOSE

Meet our summit Chair

Dr Sophie Kazan

Academic and Art Writer

Dr Sophie Kazan is an Honorary Fellow of the School of Museum Studies at Leicester University and contributes to art magazines and journals across the UK and Middle East. Her research focus is the art and culture of countries in the Global South. Dr Kazan’s focus and passion is stripping away the ‘gatekeeping’ of the art world, using her experience as a consultant and author to foster cultural understanding and ensuring that the power of visual culture is accessible to everyone, becoming a bridge to wider thought.

Meet our speakers

Ali Güreli

Founder and Chairperson of Contemporary Istanbul 


LinkedIn

Dr. Shwetal Ashvin patel

Writer, Researcher and Founding Member of Kochi-Muziris Biennale

LinkedIn

marta orsola sironi

Co-founder and Curator of MEGA Art Fair


LinkedIn

roxane zand

Founder of ZandFineArts



LinkedIn

anders petterson

Founder of ArtTactic



LinkedIn

Jeffrey Boloten

Co-Founder of ArtInsight & Director of Art Business and Enterprise Programmes

LinkedIn

nicole schoeni

Founder of Schoeni Projects



LinkedIn

Sigrid Kirk

Curator, Cultural Strategist, Co-Founder of AWITA


LinkedIn

Chimere Cissé

Founder of ArtKōrero and Co-Founder of STELLA Alliance


LinkedIn

Leo Crane

Producer, Advisor, Artist



LinkedIn

Paulo Arraiano

Visual artist & Co-founder of Re_Act Contemporary


Portfolio

sylwia krason

Founder and Editor-in-Chief of Contemporary Lynx Magazine


LinkedIn

divya sharma

Artist & founder of the Neulinge Collective & The Post-Colonials Collective 

Portfolio

Mark Davy

Founder of Future City



LinkedIn

rena neville

Founder & Director, Corinth Consulting LTD; Head of Art Division, FCS Compliance

LinkedIn

Ulrich Schrauth

Curator, Creative Director, and Artist


Portfolio

…With more speakers to be announced soon! 

THE VENUE: MERCHANT TAYLORS’ HALL

A historic setting for contemporary conversations. 

Located in the heart of the City of London, Merchant Taylors’ Hall is a distinguished Grade II*-listed venue with a history dating back to the 14th century. Combining centuries of heritage with timeless architectural elegance, the Hall provides a distinctive setting for the 2026 Art Voyage Summit.

With its magnificent Great Hall, historic interiors and elegant courtyard, the venue offers an inspiring backdrop for a day of ideas, cultural exchange and meaningful connections.

Address: Merchant Taylors’ Hall, 30 Threadneedle Street, London EC2R 8JB

Getting Here: Just a three-minute walk from Bank station, with easy access to London’s wider transport network.

Why Join Who Owns Culture Now?

Hear Global Voices

Visionaries and cultural leaders shaping today’s conversations on belonging, ownership, and equity. 

Dive Into Bold Panels

Challenging perspectives, sparking dialogue and reimagining how culture is shaped today. 

Connect Globally

Forge meaningful relationships with curators, artists, and change-makers from around the world. 

Why now?

The cultural landscape is undergoing profound change. Financial pressures, evolving audiences, emerging technologies, and growing calls for greater representation are challenging traditional structures of cultural influence.

As the boundaries between public institutions, private collectors, technology, and cultural investment continue to shift, an important question emerges: who has the power to shape our cultural future, and whose voices are being heard?

About Art Voyage Summit

The Art Voyage Summit is an international platform bringing together influential voices from across the arts and cultural sectors. Through thought-provoking discussions and meaningful networking opportunities, the summit connects artists, collectors, curators, cultural institutions, and decision-makers to explore the ideas shaping the future of culture. Building on the success of its 2025 edition, Art Voyage continues to foster international collaboration, encourage fresh perspectives, and create lasting connections across the cultural landscape.

Look back at Summit 2025

“Art Voyage Biennial set the stage for purposeful conversations and connections, and it delivered. The Echoes of Migration Summit was a day of exploration and exchange – meaningful and refreshingly spirited.” 

Erika Loch
Poet and Strategic Advisor for Project(ile)

“The Echoes of Migration Summit was a deeply moving gathering – a space where artists, curators, and cultural leaders came together to discuss what belonging means through contemporary art. As a panelist and trustee, I witnessed stories that reminded me how visibility itself can be an act of care.”

Sylwia Krason
Founder and Director of Contemporary Lynx Magazine

“The topics were relevant and the speakers, world class, while the best connections and conversations happened in the curated gaps throughout the day.”

Lucy Littlewood
Director of the American Museum and Chair of the Board of Trustees at Turner’s House

Feedback from art summit 2025

“Our biggest asset is communication, conversation and dialogue and that presents itself to be inclusive. It’s through artist inclusivity that brings new ideas we don’t know and want to learn from.”

Bengi Ünsal
Founder and Director, AWITA

“Art is about transformation and evolution. It shouldn’t just reproduce tradition, but recontextualise it in our current context.”

Sarah Le Quang Sang
Artist and Curator

“Our body carries language and memory. Migration is a choreography of movement and memory through our bodies.”

Daniella Bianco-Duppen
Artist, Write and Cultural Producer

Stills from the Art Voyage 2025 Summit: Echoes of Migration

Supported By:

PRACTICAL INFORMATION

Accessibility. Merchant Taylors’ Hall offers wheelchair access and facilities for guests with reduced mobility.

Language Assistance. We welcome an international audience and aim to accommodate guests who may require language assistance or additional support to participate in the Summit.

Supported Tickets: We are committed to making Who Owns Culture Now accessible and welcoming to a diverse audience and we believe that financial circumstances should not be a barrier to cultural participation. We offer a limited number of supported tickets.

For enquiries, please contact our team in advance. 

info@artvoyagebiennial.org.uk      +44 7388 061 078 

ART VOYAGE / WHO OWNS CULTURE NOW?

PROUDLY SUPPORTED BY ARTS COUNCIL ENGLAND
AND THE NATIONAL LOTTERY

Investing in the Future of Culture

We are delighted and deeply grateful that Who Owns Culture Now? forms part of an ambitious six-month curatorial development programme supported by Arts Council England through National Lottery Project Grants. 

This generous support enables Art Voyage to invest in the next generation of cultural professionals, providing ten emerging curators with specialist training, mentorship, paid practical experience, and opportunities to build meaningful international connections. 

Beyond bringing together influential voices from across the cultural sector, the Summit reflects our wider commitment to nurturing talent, encouraging new perspectives, and creating lasting opportunities for future cultural leaders. 

We extend our sincere appreciation to Arts Council England and National Lottery players, whose generous support is helping us create meaningful opportunities for the next generation of cultural leaders. 

Be Part of the Next Generation’s Journey

Help emerging artists, curators and cultural professionals who may otherwise be unable to attend the Summit. When booking your ticket, you can select ‘Support an Emerging Voice’ to make an additional contribution towards subsidised or complimentary places, giving emerging voices the opportunity to take part in inspiring discussions, connect with cultural leaders and build meaningful professional relationships.

Every contribution makes a difference.

Join us!

Your donation to ‘Who Owns Culture Now?’, is not just supporting a project – you’re joining a movement that celebrates migrant communities, empowers artists, and transforms public spaces into living places of memory, creativity, and pride.

 

Together, we can make sure every story is seen, heard, and valued!

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