Ali Güreli is an entrepreneur, cultural leader and founder and chairman of Contemporary Istanbul, one of the region’s leading contemporary art fairs. For over two decades, he has championed Istanbul as a global hub for artistic exchange, bringing together artists, institutions, collectors and international audiences. Working at the intersection of art, culture and urban development, Güreli brings valuable insight into the role of creativity in fostering dialogue, shaping cultural identity and building connections across borders.
Anders Petterson is the founder and CEO of ArtTactic Ltd, a London-based art market research and analysis company established in 2001. A pioneer in using crowd-sourcing techniques to gather art market intelligence, ArtTactic publishes global reports in collaboration with partners including Deloitte, Hiscox, Mishcon de Reya, Sophie Macpherson SML, and Sotheby’s. Anders regularly lectures on art market topics at Sotheby’s Institute, Christie’s Education, and ESA Beirut, and served as a founding board member of PAIAM from 2011 to 2021.
Chimere Cissé is an art collector and founder with over a decade of experience in the cultural sector. She launched ArtKōrero in 2021 to connect commercial engagement with the arts and recently founded STELLA Alliance to increase the visibility of women art collectors. Previously, she represented the United Nations International Trade Centre and held senior roles at Burberry, Hearst UK, Harper’s Bazaar, and ELLE. Dedicated to philanthropy, she actively supports global charities including the British Council and Gabrielle’s Angel Foundation, where she is a long-standing committee chair.
Divya Sharma is a London-based British Indian textile artist and an alumna of the Royal College of Art, London. Her practice brings together myth, memory, and the cultural world of her mother tongue, Tamil. She was recently awarded the Visual Artists Association International Scholarship Award for 2025. She has conceived and curated five shows as founder of The Neulinge Collective and the Post-Colonials Collective. She is also the founder and host of the ARTiculate podcast and broadcasts on Apple Podcasts.
Dr. Shwetal Patel is a writer and researcher working at the intersection of contemporary visual art, exhibition-making, and development studies. A founding member of the Kochi-Muziris Biennale, he played a key role in launching the initiative and building its international partnerships. He holds a practice-based PhD from the Winchester School of Art, University of Southampton, and lectures internationally at institutions such as the Zürich University of the Arts, the Royal College of Art, and the University of Exeter. He also serves as trustee for the Milton Keynes Museum, Coventry Biennial, and the Kakar Centre of Psychoanalysis & Culture.
Jeffrey Boloten is Director of Art Business and Enterprise Programmes at Sotheby’s Institute of Art, London. He co-founded and serves as Managing Director of ArtInsight Ltd., the educational partner of art market research firm ArtTactic. With a background in law, publishing (including Penguin Books), and institutional roles at the Tate and a London art college, Jeffrey is a frequent speaker on the global art, photography, and art investment markets. He also co-directs Sotheby’s Enterprise Studio and is a founding member of PAIAM (Professional Advisors to the International Art Market).
Leo Crane is a producer, artist and educator with over 25 years of experience across physical and digital creative industries. He has founded three creative studios and in 2024, established the AI Film Academy, focusing on innovation in contemporary moving image practice. He leads courses in art and art business at Sotheby’s Institute of Art and serves on the board of Animate Projects. His artistic practice spans animated film, figurative painting and experimental digital works, and his work has been widely exhibited, screened and awarded internationally. He is currently producing his debut feature film The Masterpiece of Tamagata, and is the author of Contemporary Figures in Watercolour (2021).
Mark Davy is the founder of Futurecity, a multidisciplinary agency dedicated to culture-driven placemaking. He has led private sector investment in major art projects including the Crossrail Culture Line, the Illuminated River Project, and the cultural strategy for Wembley Park. Mark is a Fellow of the Royal Society of Arts and contributes to several boards and panels, including the Royal Philharmonic Orchestra Advisory Panel, Hypha Studios, the Land Economic Society, the NLA Expert Panel for Culture, and the National Trust Regional Advisory Group.
Marta Orsola Sironi is a curator and critic based between Milan and London. She is co-founder and curator of MEGA Art Fair, which reimagines the art fair as an immersive, curated experience activating regenerated urban spaces with exhibitions, performances, talks, and music. Together with Mauro Mattei, she co-directs BeAdvisors Art Department, producing curated shows, cultural events, and collectors’ programmes across international art calendars. Her research focuses on decolonial feminism, identity, language, and memory, with a strong interest in urban space as a site of resistance.
Nicole Schoeni is an art dealer, collector, patron, and founder of Schoeni Projects. Previously, Nicole was the director of Schoeni Art Gallery, one of Asia's most influential art venues. Nicole has since curated the Hong Kong section of the China 8 exhibition and has consulted on arts projects such as for the Grand Lisboa Palace in Macau. She is an active patron of numerous foundations, is on the advisory team for Arts for Good Foundation, and sits on the Board of Directors of Asian Art in London.
Portuguese visual artist Paulo Arraiano explores the intersections of art, culture, nature, and technology through a multidisciplinary practice. He is co-founder of Re_Act Contemporary, an international art laboratory and residency programme based in the Azores that fosters dialogue between artists, researchers, and communities around pressing ecological, social, and cultural issues. Arraiano offers a distinctive perspective on the role of art in shaping how we understand and engage with a rapidly changing world. Portfolio
Rena Neville is Director of Corinth Consulting Ltd and Head of FCS Compliance Art Division. With over 30 years at Sotheby’s, she was the company’s first Global Compliance Director and previously served as European General Counsel and Global Head of Litigation. Today, she advises the art market on anti-money laundering compliance and is a frequent speaker on the subject, including recent talks at Harvard Law School and the Art Business Conference in Maastricht during TEFAF.
Roxane Zand is a Harvard and Oxford educated specialist in Middle Eastern art and culture. After three years at UNESCO and roles at the Iran Heritage Foundation and Asia House, she joined Sotheby’s in 2006 as Director for the Middle East and Gulf, rising to Deputy Chairman and Senior Director, before stepping down in 2020 to lead her own art advisory consultancy. She continues to serve as Arts Editor for the Encyclopaedia Islamica, advises through the Pictet Art Prize Advisory Council, and has authored several publications, including Geometry and Art: In the Modern Middle East.
Sigrid Kirk is a curator, adviser, and strategist who co-founded the Association of Women in the Arts (AWITA) in 2016. AWITA brings together women working across the arts sector through mentoring, collaboration, and a shared community. In addition, each year Kirk and her husband collaborate with Te Tuhi Gallery in Auckland to help fund an artist residency at Yorkshire Sculpture Park for Māori and Pacific Island artists. The couple are also patrons of Dundee Contemporary Arts,  Fruitmarket Gallery, Gasworks, Studio Voltaire, Iniva, and Goldsmiths CCA.
Sylwia Krason is the Founder and Editor-in-Chief of Contemporary Lynx Magazine, an international arts publication and organisation based in London. Since 2013, she has connected bold artistic voices with global audiences, with a focus on Central and Eastern Europe and emerging markets. She is also President of the Contemporary Lynx Foundation in Warsaw and regularly serves as a juror and panel moderator at major international art events, including Art Basel. Trained in art history and arts management in Kraków, Berlin, and London, she is currently based in Paris.
Ulrich Schrauth is a curator, artist, and creative director of UBS Digital Art Museum in Hamburg. Schrauth is also the founder of VRHAM! Biennale, shaping new ways of presenting and experiencing digital Art. Working between Hamburg and London, he also heads the Immersive Programme at the British Film Institute (BFI) and serves on the British Council’s Advisory Board for Arts and Creative Economy. In addition, he curates the digital section of Art Dubai, the premier international art fair for digital media. Ulrich is a jury member for prestigious awards such as the Lumen Prize and the Fedora Digital Art Prize, and is a regular speaker at major events including the Venice Biennale, SXSW, and the Cannes Film Festival. Portfolio

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Unlocking the Terminology of the Art World

Avoid getting lost in translation – here’s the Art Voyage guide on “how to speak art”

The art world is full of specific – sometimes obscure – terminology, sometimes even including snippets of other languages, such as French or Latin. This can make things confusing and overwhelming, especially for those who are newer to the scene. If you’re curious about unlocking the language of art, Art Voyage has put together a handy guide to some of the most important or popular art terms as of 2025.

Abstract Art

Also known as non-representational art.  Abstract art is an umbrella term for art which is not realistic – that is, it does not attempt to give a “realistic” depiction of something that exists in the visible world.  Abstract art either depicts a “real” object, such as a portrait, landscape, or still life, in a non-realistic way (for example, think of Picasso’s portraits) or expresses an abstract concept, feeling, or idea (for example, think of Kasimir Malevich’s Black Square).  

The term “abstract art” is extremely broad and can be divided into many different subcategories and related terms, styles and movements.  The opposite of abstract art is representational art, which depicts something “real” or “realistically” – that is, it “represents” something that exists in the visible world.

AI Art

AI art is an umbrella term for art which has been created wholly or partially using generative artificial intelligence technology, such as Midjourney.  This can come in many different forms, ranging from using prompts to quickly generate a graphic with ChatGPT (see below), to integrating AI into existing creative practices.  In November 2024, a robot known as Ai-Da created a painting that sold for $1million at auction.  The technology is still developing and remains somewhat controversial among artists and collectors due to concerns around copyright, ownership and sustainability.

Image generated via ChatGPT using the prompt “cute 2D cartoon robot holding a paintbrush”.  This is an example of art which has been entirely created using generative artificial intelligence (also known as genAI). 

Art Fair

Art fairs are some of the most popular and important events in today’s Art Market.  Artists and galleries from all over the world are invited to set up booths in a single fair venue, where Collectors, Curators, and enthusiasts can browse and buy.  They come in all shapes and sizes, from small-scale local affairs to massive international mainstays like Frieze and Art Basel.  Aside from the main event, fairs often host performances, talks, and workshops or other educational programmes.  Some fairs, such as viennacontemporary, also offer special programmes for children and young people.

Art Market

Contemporary Art Issue defines the art market broadly as “the commercial sphere of the art world.”  It encompasses the buying, selling, and commercial collecting of all types of art.  

Frieze London is an example of a popular recent art fair. Courtesy Frieze / Linda Nylind on Flickr.

Atelier

French term, literally meaning studio.  This term either denotes an artist’s physical workshop or a collective of artists and/or designers working together.  Can also mean a “small, independent art school.”

Biennial

A biennial is a form of large-scale Art Fair occurring every two years (not to be confused with a triennial, which takes place every three years).  The term is sometimes also styled Biennale.  These shows unfold over several weeks or even months, during which international galleries and art institutions come together to exhibit and sell works by current artists.  Biennials tend to be spread out over several venues and may also include Satellite Shows.  There are biennials and triennials on every continent – including Antarctica! Typically, the events are based in a single city or area (for example, the famous Venice Biennale), but Art Voyage does things differently.  As a Nomadic Biennial, we come to a different city every two years!  Find out more here.

Blue-Chip

Blue-chip art refers to high-value artworks by well-known Established or master artists (living or dead).  Examples of famous blue-chip artists range from Claude Monet to Jeff Koons.  Blue-chip artworks have been previously bought and sold at high prices and have a known Provenance.  The opposite of blue-chip art is red-chip art, a newer term denoting works by Emerging or mid-career artists who experience a sudden, meteoric rise to fame.  Both types refer to high-value art, but red-chip art is much newer and less predictable.

Buyer’s Premium

An art sale term meaning an additional fee paid by the buyer to the auction house, calculated as a percentage of the Hammer Price.

Catalogue Raisonné

French term, literally meaning reasoned catalogue.  A comprehensive, annotated listing of all known works by an artist.  These are carefully produced by one or more specialists, who use archival documents, photographs, and other research to decide which pieces belong in the catalogue.  Many catalogues also contain information on a piece’s Provenance.  They are very important documents both for art sales and for the study of art history.  

Collector

An art collector is someone who researches, buys, and collects art, either privately or on behalf of an institution.  While art collecting is traditionally seen as exclusive to the wealthy elite, it is becoming increasingly accessible to others.  Many collectors visit Art Fairs and Biennials to discover and buy new art, and work with Dealers when they are ready to sell.

Courtesy of Frieze / Linda Nylind via Flickr.

Commission

Commissioning is the act of paying for a specific artwork to be created.  Commissioners often work closely with their chosen artists to make sure the final piece reflects their wishes for size, style, and content.

Conservator

Someone who restores, repairs, and cares for an artwork.

Photo by Diwei Zhu on Unsplash.  An example of a conservator at work.

Curator

A curator is responsible for creating exhibitions and managing collections at museums and galleries.  They are traditionally affiliated with a particular cultural institution, but more recently freelance and independent curators have also played a more prominent role.

Deaccessioning

Removing a piece from a museum or other institution in order to sell it, often to help raise funds for the care, Conservation or expansion of a museum’s collection.  This can be a controversial process, as it often leads to ethical debates about the cultural versus financial value of an artwork or artefact.

Dealer

A dealer is an individual or organisation responsible for facilitating the purchase and sale of artworks.

Emerging Artist

An artist who is still in the process of establishing their reputation and developing a body of work.  Usually, emerging artists are younger creatives in the first 5-10 years of their careers, but this is not always the case – many celebrated artists began their careers later in life, or experienced sudden career growth after decades of work.

Courtesy of Pierre Bamin on Unsplash.

Established Artist

The opposite of an Emerging Artist.  An established artist is one with a considerable body of work and several major shows under their belt, usually including international exhibitions.  They are more widely known, have been written about in art publications and press, and tend to fetch consistently higher prices at auction.

Gallerist

A gallerist owns or operates an art gallery.  The role is sometimes, but not always, similar to that of a Curator, often depending on the size of the gallery.  A gallerist is the face of their gallery, and is often involved with representing and promoting their artists at exhibitions, auctions, Art Fairs, and Biennials.  

Graduate Show

A graduate show is an art show typically hosted towards the end of the academic year in order to showcase the work of new art graduates.  They are often, but not always, hosted by art schools or arts universities.  These are typically separated into undergraduate and postgraduate shows and may be interdisciplinary or focus on one specific course (e.g. BA Fine Art or MA Painting), depending on the number of students.  Graduate shows help young artists to establish connections and build their reputations as they enter the art world.

Hammer Price

Art sale term.  The final bid price on an artwork at auction, before the addition of Buyer’s Premium.

Installation

An umbrella term for a type of art made up of different pieces or objects arranged in a space.  It is often multimedia and can be made up of different traditional and non-traditional forms, such as paintings, sculptures, video and audio art, and found objects.  Installations make use of space in different ways and can even be interactive, with viewers invited to enter, touch, or otherwise engage with the piece.  Some installations are site-specific, which means they are designed to be set up and displayed in one specific location.

NFT Art

NFT is an abbreviation for “non-fungible token,” which means something that cannot be copied or exchanged.  NFT Art is a piece of digital art, usually traded with the cryptocurrency Ethereum, that comes with a unique blockchain identifier, guaranteeing ownership in a way that other digital art cannot.  NFT Art can come in the form of images, videos, or audio files, but are always digital.  NFTs experienced a major boom upon first release, sparking intense debate and controversy.  They depend heavily on the fluctuations of the crypto market and operate largely separately from traditional galleries and fairs.

Op Art

Short for Optical Art.  Op Art is a type of abstract art which plays with shapes and patterns to produce effects of moving, blurring, flashing or any kind of distortions of space, similar to an optical illusion.  This is intended to create a sense of disorientation in the viewer.  The Op Art movement first emerged in the 1960s.

Performance Art

Performance art is an umbrella term that encompasses a vast variety of art forms.  As the IMMA explains,performance art uses “the body […], time, space and the relationship between performer and audience” as a medium to convey ideas and emotions.  In other words, instead of a physical painting, sculpture or installation, performance artists create artwork through their actions or the actions of participants.  Often interdisciplinary and highly conceptual, they can be one-off live events or recorded pieces.  

Not to be confused with “the performing arts”, which is a broader term for performance-based art forms such as theatre, dance, and music.

Provenance

The history of ownership of a particular artwork, used to establish authenticity and value.  Provenance research is an important part of the acquisition process for collectors and curators.  You can read more about an example of museum provenance research here.

Retrospective

Derived from the Latin word retrospectare, meaning to look back, a retrospective is a type of exhibition which usually represents the entire body of work of one artist (although can also represent one longer period of an artist’s life).  Therefore, they tend to focus on Established Artists later in their careers with large existing oeuvres.  They are typically arranged chronologically, but can also be arranged thematically.

Satellite Fair

Smaller fairs and events that take place during larger Art Fairs and Biennials.  

Vendor’s Commission

Art sale term.  A percentage of the Hammer Price that goes to the auctioneer if the item is sold.

Vernissage

French term, meaning varnishing.  A vernissage refers to a private viewing before the official opening of an exhibition or show.

Video Art

A type of performance art installation consisting of film or video.

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